“…American tenor Nicholas Phan lent his bright, lyric instrument and an expressive stillness to a handful of early German songs and brought an understated sensuality to The Cherry-Blossom Wand (Clarke once described the dividing line between music and sex as “so tenuous as to be almost non-existent”)...”

“Rich, radiant performances bring a forgotten voice to life

Rebecca Clarke’s songs have been edging on to the radar recently, but this recording, led by the mezzo-soprano Kitty Whately, tenor Nicholas Phan and pianist Anna Tilbrook, is the first time they have all been assembled together…”