NICK CURATES WHITMAN-INSPIRED SONG FESTIVAL IN CHICAGO, UNDERTAKES RESIDENCY AT NYC'S KAUFMAN MUSIC CENTER, & RETURNS TO SF SYMPHONY, NY PHIL & BALTIMORE SYMPHONY IN 2023-24

Over the coming season, Grammy-nominated tenor Nicholas Phan – “one of the world’s most remarkable singers” (Boston Globe) – balances opera, concert and recital performances with curatorial and educational activities. On the curatorial front, he launches his season…

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NICK SINGS ST MATTHEW PASSION WITH NY PHILHARMONIC; PREMIERES OF NEW SONG CYCLES

“Fresh from performances as the Evangelist in Bach’s St. Matthew Passion with the Hong King Philharmonic under the baton of Jaap van Zweden, three-time Grammy-nominated tenor Nicholas Phan – “one of the world’s most remarkable singers” (Boston Globe) – sings the same role with the same conductor leading the New York Philharmonic this spring (March 23–25). He also returns to the Dallas Symphony…”

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GRAMMY AWARDS: NICHOLAS PHAN REFLECTS ON BEING NOMINATED FOR BEST CLASSICAL SOLO VOCAL ALBUM

Nicholas Phan is nominated for Best Classical Solo Voice Album. This is his 3rd nomination. The work is a composition called "Stranger" and it was written by modern composer Nico Muhly.

CBS News Bay Area interviewed Nicholas at the renowned Skywalker Sound in Marin County…

…The three of us connected over Zoom last month to discuss the genesis and reception of Stranger, the questions around identity and immigration which lie at the heart of the piece…

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NICK SINGS BACH FOR BOSTON BAROQUE'S 50th

“Orchestra, chorus, soloists, and Pearlman combined to deliver the most compelling performance I’ve seen from Boston Baroque in years. That slate of soloists featured several names well known to anyone who’s been a regular at Boston Baroque, including..the keen and thoughtful tenor Nicholas Phan...” – Boston Globe

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"NO PEDESTRIAN PROGRAMMER": CHICAGO TRIBUNE REVIEWS 2022 COLLABORATIVE WORKS FESTIVAL CONCERTS

“‘The Song of Chicago’ proved, once again, that CAIC is no pedestrian programmer. As tenor and Artistic Director Nicholas Phan made clear during his interstitial comments, this ‘Song of Chicago’ had not just a chorus but a well-researched thesis, arguing that Chicago was uniquely nurturing to composers in the 20th century. Its conservatories educated, if not always warmly welcomed, more Black musicians than peer institutions, and during the same period, the city’s pro-labor leftist movements gave refuge to artists who might have been forced to the fringes elsewhere — like Sandburg and his alliances with composers Ruth Crawford Seeger and Ernst Bacon.”

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