In the current cultural climate in which every tradition and piece of art by dead, white men is being questioned for its validity, I find that I am often asking myself: is classical music really for everybody? On the one hand, it’s a tenet in which I have always believed. On the other, as the classical music community examines all the racism, misogyny, and homophobia baked into a lot of this music and its institutions, it’s hard to think…