“In the first half of the 20th century, as The Great Migration saw waves of Black Americans journey from South to North, Chicago became an important cultural center for Black American classical music. The combination of a robust independent music infrastructure that developed in the city’s “Black Belt” on the South Side as a result of segregation, and the relative progressiveness of the world-class music conservatories in the Loop that admitted Black students, made Chicago an important mecca for African American classical musicians. Black musicians from all over the country came to study at institutions like the American Conservatory of…”

“I often find the seeds of future festivals buried in the layers of discovery that are unearthed as I research and program each year’s Collaborative Works Festival. This year’s festival, The Song of Chicago, is the result of this very process. CAIC’s first program entirely devoted to the music of Chicago was the opening program of the 2019 Collaborative Works Festival. Entitled The City, the program showcased the work of four of the Windy City’s pre-eminent women composers…”